Dead Can Dance – Dionysus full album

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Dead Can Dance – Dionysus Full album

Format: mp3, 320kb/s

Premiere: November 2nd 2018

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File size;: 33,5 MB

File format: Dead Can Dance – Dionysus zip file

Dead Can Dance – Dionysus album songs list:

‘POST-APOCALYPTO THEME’
‘desolation’
‘HOPE’
‘cave women’
‘MAKING LOVE’
‘scientists’
‘TAKE US INTO SPACE’
‘i’ve got to go’
‘FUCK YO-YO MA’
‘reunion/not so fast’
‘DADDY DING DONG’
‘chainsaw bazooka machine gun’
‘ROBOT’
‘marCH’
‘turd whistle’
‘COLORS’
‘who’s your daddy?’
‘JB JR RAP’
‘WOMAN TIME’
‘SAVE THE WORLD’
‘POST-APOCALYPTO THEME (REPRISE)’

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“Dead Can Dance” is one of the few bands from the 80s, “Goth”, which has a coherent discography and is one of the few bands on the stage that managed to branch off the stage to the point where simply labeling their “Goth” does not do justice musical band thanks to their explorations in music “World” and “Experimental”. Now, six years after the premiere of Anastasis, the band will release a new album titled DIONYSUS on November 2, as well as a concert tour in May. Dead Can Dance announced his first album in six years. Dionysus will be released on November 2 by the [PIAS] Recordings. According to the press release, the album consists of “seven movements representing various aspects of the myth of Dionysus and his cult”. The duo also announced a European tour in the spring of 2016;

From the very beginning in 1981, the Australian duo Dead Can Dance has long been intrigued by European folk traditions, not only musically, but also secular, religious and spiritual. Inspired by this situation, DIONYSUS evolved as Brendan Perry explored the long and well-established holidays of spring and harvest, which were born of religious practices, a journey that puts to the fore, rituals and rituals that are still practiced to this day.

After two years, Perry gathered a number of folk instruments and how often he hears on previous albums, he draws inspiration from around the world, songs evolve less like songs, but more like fragments of a coherent whole. Dionysus follows the familiar path, the witness field recordings, including songs, hives from New Zealand, birds from Latin America and the Swiss cocaine. Perry’s goal is not only to invoke the atmosphere and symbolic reference points, but to emphasize that music can be found everywhere in one form or another.

The album consists of two acts in seven movements, which represent different aspects of the myth of Dionysus and his cult musical, and take the form of oratory that communicates to both spiritual and secular music so far in history as the beginning of the sixteenth century. Keeping the prevailing views on contemporary paganism in Europe, the voices used in these movements are imagined as celebrating communities, in communion sometimes with each other, chanting and calling and reaction – different voices are present to convey emotions beyond the borders of the language itself Although drawing inspiration from the history of Dionysus, the cover of the album resonates with links to rituals depicting the mask made by Huichola from the Sierra Madre Mountains in Mexico – famous for painting beads and yarn, as well as participating in peyote as a holy ritual and a ritual for healing and expansion of the mind – this is the heart of Dionysus, a celebration not only of humanity, but of humanity, which respects and respects nature in harmony with nature. Dead Can Dance will set off on a long European tour in May and June 2019, celebrating their lives and work from 1980 to today.

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